Photography is an art form like no other. It allows your to instantaneously capture time, and at the same moment, fade the colors of day into night so that you can print them out again and give them to the world, in the purity of black and white.
Images at their passionate and truthful best are as powerful as words can ever be. If they alone cannot bring change, they can at least provide and understanding mirror of man’s actions, thereby sharpening human awareness and awakening conscience.
Every part of the photographic image carries some information that contributes to its total statement; the viewer’s responsibility is to see, in the most literal way, everything that is there and respond to it. To put it another way, the statement the image makes – not just what it show you, but the mood, moral evaluation and casual connections it suggest – is built up from those details. A proper “reading” of a photograph sees and responds to them consciously.
Some pictures are tentative forays without your even knowing it. They become methods. It’s important to take bad pictures. It’s the bad ones that have to do with what you’ve never done before. They can make you recognize something you hadn’t seen in a way that will make you recognize it when you see it again.
Photographs are of course about their makers, and are to be read for what they disclose in that regard no less than for what they reveal of the world as their makers comprehend, invent, and describe it.